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Fela Kuti

Fela's life is full of contradictions, and that's part of what makes him captivating. People who love him can accept his flaws.

His songs are typically longer than 20 minutes and are performed in a thick Pidgin English that is almost incomprehensible. His music is inspired by Christian hymns and jazz, classical music, Yoruba music, chant, and horn-and-guitar heavy highlife.

He was a musician

Fela Kuti embodied the idea that music can be a tool for change. His music was used to argue for social, political and economic changes. His influence is felt today. His musical style, Afrobeat, is a blend of African and Western influences. Its origins lie in West-African high-life music and funk However, it has since developed into its own style.

His political activism was fierce and frightened. He made use of his music to protest against corruption in the government and human rights abuses. Songs such as "Zombie" and "Coffin for the Head of State" were bold criticisms of the Nigerian regime. He also used Kalakuta as a place to gather like-minded people and to promote political activism.

The play features a huge portrait of his late mother Funmilayo ransome-Kuti. She was a well-known feminist and activist. The actress who portrays her is Shantel Cribbs, who has successfully depicted her importance in the life of Fela. The play also explores her political activism. Despite her deteriorating health she refused to be checked for AIDS and instead chose traditional medicine.

He was a singer

Fela Ransome-Kuti was a multifaceted man who used his music to facilitate political change. He is credited with being the creator of afrobeat. It was an invigorating blend of funk, dirty and traditional African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders.

Fela's mother was a suffragist against colonialism, so it is not unusual that he is a fan for social commentary and politics. His parents wanted him to be an ophthalmologist but he had different plans.

A trip to America changed his outlook forever. The exposure to Black power movements and leaders such as Malcolm X and Eldridge Cleaver had a profound effect on his music. He adopted an African-centric philosophy which would inform and guide his later work.

He was a writer

Fela encountered Black Power activists such as Stokely Carmichael, and Malcolm X during his time in the United States. The experience inspired him to create an organization called the Movement of the People, and to write songs that reflected his ideas about black activism and political consciousness. His ideas were expressed in public through the method of yabis, which is an art of public speaking is referred to as 'freedom of expression'. He also began to impose an ethical code of conduct on his band. This included refusing to accept medication from Western-trained medical professionals.

After returning to Nigeria Fela began to build his own club The Shrine in Ikeja. The raids by police and military officials was almost constant. Mosholashi-Idi-Oro's hangers-on repopulated the area surrounding the club with hard drugs, including the 'yamuna' and federal employers’ liability 'bana' (heroin). Fela maintained his integrity in spite of this. His music is a testament to the determination with which he fought authority and demanded that the desires of the masses be reflected in official objectives. It is a legacy that will last for generations.

He was a poet

Fela's music used sarcasm and humor to draw attention to the political and economic issues in Nigeria. He also mocked his fans as well as the government and himself. He often referred to himself during these shows as "the big dick in the little pond." The authorities took his jokes lightly and he was frequently detained, imprisoned, and beating by the authorities. He eventually renamed himself Anikulapo, meaning "he carries death in his pouch."

In 1977, Fela released a song called "Zombie" in which he compared soldiers to blind zombies who obeyed orders without asking questions. The military was offended by the song and seized Kalakuta Republic. They burned it down and beat its residents. During the raid, Fela’s mother was thrown from her second-floor apartment through a window.

In the decades following Nigeria's independence, fela claims railroad employees created Afrobeat, an genre of music that blended jazz and native African rhythm. His songs criticised European culture imperialism and supported African traditional religions and cultures. He also criticised fellow Africans for disrespecting their country's traditions. He also stressed the importance of freedom and human rights.

He was an artist of hip-hop.

Fela Anikulapo Kuti, trumpeter and saxophonist, was born in Abeokuta in 1938. He is a pioneer of Afrobeat music. He was heavily influenced by jazz, rock, and roll as well as traditional African music, chants, and music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas influenced his work.

After his return to Nigeria, Fela began using his music as a tool for political purposes. He criticized the government of his country and argued against Western sensibilities affecting African culture. He also wrote about social injustices and human rights violations and was often detained for his criticism of the military.

Fela also sporadically advocated for the use of marijuana, known as "igbo" in Africa. He also held "yabis" (public discussions) at the Afrika Shrine where he would mock government officials and express his views on freedom of expression and beauty of women's bodies. Fela had Harems, which was a group of women who performed at his shows and backed his vocally.

He was a dancer

Fela was a master of musical fusion. He incorporated elements from beat music, and highlife to create his own distinct style. He was a prominent African musician and vocal critic of colonial rule.

Fela refused to be interrogated and detained by the Nigerian military junta, as well as witnessing the murder of his mother. He died of complications due to AIDS in 1997.

Fela was an activist in the political arena who was critical of the oppressive Nigerian government and believed in the principles of Pan Africanism. His albums, like 1973's Gentleman focused on the oppression of both the government and colonial parties. He also promoted black power and criticised Christianity and Islam as non-African imports that have been used to divide the people of Africa. Shuffering and Smiling is the title track of a 1978 album. It describes overcrowded public transports filled with people who are poor, "shuffering and smiling". Fela was a fierce enemy of religious hypocrisy. His dancers were an excellent match for his music. They were vivacious, sensual, and regal. Their contributions to the performances were as important as Fela's words.

He was a militant in the political arena.

Fela Kuti was an activist who utilized music to challenge the unjust authority. He took his knowledge of American jazz and funk towards African modes and rhythms, creating a sound that is braced for battle. Most of his songs begin with slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency.

In contrast to many artists who were hesitant to speak out about their politics, Fela was fearless and uncompromising. He stood for his beliefs even when it was risky to do so. Funmilayo Ransome Kuti was a feminist who led the Nigerian Women's Movement. His father was a protestant minister and the president of the teachers union.

He also established Kalakuta Republic, a commune and recording studio that was an emblem of resistance. The government raided the commune, destroying the property and injured Fela severely. He refused to give up, however, and continued to speak against the government. He passed away in 1997 due to complications related to AIDS. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy.

He was a father

Music is often seen by many as a form of political protest. The lyrics of musicians are used to call for a change. Some of the most powerful music performances are not performed with words. Fela Kuti is among the artists mentioned above, and his music still is heard today. He was the first to pioneer Afrobeat that combines traditional African harmonies and rhythms with jazz and funk, being influenced by artists such as James Brown.

Funmilayo Ransome Kuti was fela lawyer's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria that was serving its entire population.

Fela's son Seun is continuing his father's legacy, through the band Egypt 80 that's touring the world this year. The band's music is a blend of the sounds and political stances of Fela's time with a fervent denial of the same power structures that are still in place in the present. The album, Black Times, will be released in March. Thousands of fans gathered to pay their respects at the funeral in Tafawa Balewa square. The crowd was so huge that the police had to block the entrance.